Friday, February 18, 2011

Wilderness Road Outdoor Drama




During the Summer of 1974 I had the pleasure to work the Wilderness Road Outdoor Drama. Distinguished playwright Paul Green from North Carolina had created the Outdoor Presentation for the Colleges Centennial in the mid 1950's.



"Indian Fort Theatre is built as part of Berea College's centennial celebration. The outdoor amphitheatre in the College Forest serves as venue for "Wilderness Road" by playwright Paul Green. The Wilderness Road drama originally ran in the 1950s as a major part of Berea's Centennial Celebration. The 1950s centennial celebration was the brain child of Dr. W.D. Weatherford who put his proposition before Berea College President Francis S. Hutchins. After President Hutchins agreed, a $100,000 outdoor theater was built, Indian Fort Theatre) near the Pinnacles and dramatist Paul Green was hired to write the script. Weatherford had several purposes which he asked Green to incorporate into his story. First was the desire to make America aware of the strong characters of the people of Appalachia. Second, the value of education to the young people of the mountains needed to be emphasized. And last, Berea College's unique role in supplying higher education for mountain youth through its work-study programs needed to become known across the country. The drama, which told of the entry into Kentucky through the Cumberland Gap by the Boone party and its journey along Wilderness Road, of the founding of Berea, and of the Civil War in Kentucky, was an immediate success and ran for several years." http://www.berea.edu/150/timeline/hutchins2.html


Courtesy Berea College Special College Collections







During the 1973 season I got a call asking If I could fill as a replacement for Dewey Lamb who played banjo with his brother Lewis Lamb and his daughter Donna as on stage actor/musicians. He had the summer flu and I told them I'd be glad to, but I'd never acted before. The only thing I had ever done was being a dandelion in a 3rd grade play. They said Lewis and Donna will pull you thru it. I filled in for Dewey several nights and found I enjoyed it.

In the 74 season of the show I worked with Lewis and Donna as musicians.


From: Daily News Bowling Green Kentucky June 4, 1974
“This will be the third season for the revised version of Paul Green’s “Wilderness Road“, the story of a small mountain community caught up in the turmoil of the Civil War.
The drama at Indian Fort Theater in Berea Kentucky will begin June 26th and continue until September 1st with the last performance the only one on a Sunday.
Curtain time is 8:30 pm. CDT for each show.
New York actor Gary Poe heads the cast this season of “Wilderness Road” as John Freeman. Ellen Fiske, also a New Yorker plays Elsie Sims.
The character Freeman has some pacifist which conflict with the general thinking of the community. Elsie, a mountain girl, loves Freeman but her family doesn’t.
Berea College students make up a big part of the cast and Glenda White, known for her work on Kentucky outdoor stages plays Mrs.Sims
Authentic fiddle and banjo music will again be offered by the father daughter team of Lewis and Donna Lamb. Additional banjo help has arrived in the person of Doug Hutchens with credentials from Bill Monroe’s Bluegrass group and the Grand Ole Opry.”



When casting calls went out for the 1975 season I found that Lewis and Donna were not going to work the show that summer so Edd Kellough, Tony Estes and myself decided to try out for the roles for the on stage actor/musicians known in the Show as The Jones Boys; Matthew, Mark, Luke and John. I had always claimed to be a banjo player, so was Tony and Edd was a guitar man....I was going to learn to play the fiddle Tony on Banjo and Edd Guitar.......But fate stepped in.......and
as casting proceeded Bruce Green, noted old time fiddler and historian came on the scene and Dr. John Forbes from the Berea College Music Department also joined on bass. We had a great little 5 piece band on stage and on pre show we had a great little lady join us which was always a treat....


It was a wonderful summer. We did Wilderness Road 6 nights a week and two or three afternoon Pre-Show's; basically entertaining out at the front of the Theater as the audience arrived.

We also did a good amount of Promotional Performances doing TV in Cincinnati, Louisville, Lexington and Knoxville along with the Bluegrass Fair in Lexington.
Our little Lady Friend was none other than Debra Monk who was to go on to New York and become a Highly Successful and Awarded Actress in both stage and screen.(Pep Boys and Dinette, NYPD Blue, Greys Anatomy......to name only a few)
She always did a wonderful version of the old Lester Flatt and Earl Scruggs tune "I'll go stepping too". She also had a "memorable encounter with "THE" Colonel Sanders" one afternoon. Yes Colonel Sanders was quite real....I hope Debbie will chime in on this.....as Paul Harvey say's "The rest of the story".

Debra Monk, Doug Hutchens, Bruce Green, Edd Kellough, Dr. John Forbes, and Tony Estes as we performed as the audience arrived at Indian Fort Theater. Photo courtesy David Davis.


Thursday, January 27, 2011

First day with those green shirts

We played Hilbrook Recreational Center from August 2-8 for Henry Vehoff. (This was one of the most wonderful places I had ever seen for a festival. There were great clean showers, a laundry facility, a beautiful lake and campground)
Henry had asked Don Reno about starting a Blue Grass Festival and the best way to get started.
Don told him to get two great bands and have them all week. Have some workshops, some contest and a festival Friday, Saturday and Sunday.

We spent Monday and Tuesday with workshops on the various instruments. Wednesday there were individual competions and a band contest on Thursday.

Then Friday, Saturday and Sunday the festival began, Flatt, Stanley, The Gentlemen with John Duffy (Gaudreau had a reserve obligation) Bill and John Duffey got the baseball gloves from under the bus and spent a portion of Saturday afternoon pitching baseball. Both seeing if they could out throw the other...Somewhere out there in "The vast "Land of the Flashbulbs of the Past" there are photos of that. If we could find one.
Top Photo Courtesy Dan Jones




Bottom Photo taken by Ginger "Sam" Kuykendall Alred. It was hot in that building.....
Henry asked Don's advice and Don suggested Reno, Smiley, Harrell and Bill Monroe and the Blue Grass Boys for the week for workshops and to judge the contest then do a show each evening.

We worked all 7 days to a small but attentive crowd from Monday til Thursday then on Friday he had a good crowd for the remainder of the weekend.

Bill had all sorts of people who wanted to be close to him whereever he went. Many were great folks, but there were some who were down right irritating. On Monday one of these individuals showed up,,,,hanging around everywhere, on the bus, by the bus and just everywhere....On Tuesday another showed up..... Bill was very irritated at their constant hanging around and was somewhat ill tempered from time to time the remainder of the week. Thats how the Don Reno cutting Dan Jones hair came about.

But during the week one of these individuals who could get lets say a little "windy", told a fan about how the Blue Grass Boys always wore white shirts....all the time. You could tell it didn't set well with Bill, he didn't say a word at the time, but after the person had left he gave Joe Stuart some cash and told him to go and get the band a set of shirts---any color but white. Joe was gone a while and came back with Green Shirts. Thus the "Green Shirt Edition" of the Blue Grass Boys in 1971.

Tuesday, January 25, 2011

Bill Monroe's Gibson F5 peghead (the real story)



I spoke with Bill about the mandolin quite a bit when I worked with him and even more when I was working for Gibson.


While shooting the photographs for the 1989 Gibson poster and laying the groundwork for the Bill Monroe Model Mandolin, I asked Bill about breaking the scroll off the peghead.
I had always assumed that he broke it off when he scraped the finish off the mandolin but Bill said no that was not the case and that the it accidentally got knocked loose and it was held on by the plastic (binding). It got to buzzing so he pulled it off and intended to have I think it glued back.
He said that Benny Martins brother Gene and Ira Louvin was about the only two that worked on instruments around town back then. He said he carried the little "Knob" in his suit coat pocket for a long time but when he sent the coat to the cleaners it got gone and he just forgot about it.



While speaking about digging the Gibson out of the peg head I suggested that I could cut a script Gibson from Mother of Pearl and put it back if he wanted too, then he said jokingly that he had thought at times that he should have "Thing" put up there.


Its a real shame to me that Billy Grammer talked Bill into letting Gibson repair the peg head. That battle scared peg head was the symbol of Blue Grass to many of us. Kind of like fixing the "Liberty Bell" and making it good as new.

Monday, January 24, 2011

Tex Logans Party and thePhiladelphia Folk Festival 1971







Top Photo










































Bottom Photo


Tut Taylor, Bill, Kenny Baker(behind Bill) Vassar Clements(with John's banjo)Byron Berline, John Hartford, Kenny Kosek , Jack Hicks, Joe Stuart, Norman Blake, Doug Hutchens...photos courtesy Ron Petronko




We came in from Tex Logan's Party to the motel at Washingtons Crossing Pa on Friday night and it was raining very heavy....almost monsoon like.












On Saturday we made our way to the festival site and it was a mud hole. We all had to wear old shoes to stage then change into clean ones for the show.








We did a workshop Saturday morning about 11:00 and a show about 8:00 that night. The workshop stage was crowded.




After we got thru playing and back to the bus everyone had mud all over their shoes. Baker and I had just put ours under the bus when Bill came by and said "Kenny you and Doug put your other shoes back on and come with me. We didn't know where we were going but we followed Bill and one of the promoters down several lanes of tents and into a large tent. They proceeded to count out $2,000.00 to Bill in mostly 20's and 50's. Then he took the large roll of bills and divided them in about half and gave half to Kenny and half to me. He told me to put them in our pocket and he said "I'll be right behind you in case there is some trouble". We walked back to the bus and handed Bill the two rolls of cash and proceeded to get ready to pull out.






It had been raining there for several days and the ground was rotten with water. When we pulled the bus in the folks who parked us made sure we were on solid high ground just off the pavement. When we got ready to leave on Saturday night the small one lane black top we had to drive down had cars parked on both sides. Many of them were not all the way off the pavement and we saw that we weren't going to be able to get the bus out. The crowd was large and it would have been crazy to think we could find the people who owned the cars to move them to let us out. So Bill told Kenny to get behind the wheel and Bill, Jack, Joe, Ron Petronko and myself got out and would pick up on one end of the car and slide it over then go to the other end and do it again. We probably slid at least 25 or more cars either to the right or the left in order to be able to get the coach out that night.

Saturday, January 22, 2011

One a day


From this point on I'm going to post either a story or a photo each day.


I got an email from Doug Benson recently and it only reminded me again of the wonderful friends I have all around the globe. I first met Doug at Berryville in about 1970 and we have been great friends ever since.


If you'd like some listening while you're reading this... http://www.sugarmegs.org Search: Bill Monroe and look for Bill Monroe and The Blue Grass Boys 8-25-72 Philadelphia Folk Festival - Schwenksville, PA (wrong year, it was 71). http://tela.sugarmegs.org/_asxtela/asxcards/BillMonroeAndTheBluegrassBoys1971-08-28PhiladelphiaFolkFestivalPA.html
but this was the last show I played with Bill Monroe as a Blue Grass Boy. Photo courtesy Artie Rose's Bluegrass Photos http://www.facebook.com/#!/photo.php?fbid=136414009733354&set=a.136411786400243.12090.100000942667331

We were pretty hot, having come off 7 days in Montreal at Man and His World doing 4 shows a day. Then a day or two off.... This was a differnet configuration of the Blue Grass Boys as Tex Logan and Byron Berline were not regular members...And this was Joe Stuarts first day back on the guitar.
On the 26th of June he left the bass to make room for me in the band and he played twin fiddles with Kenny Baker all summer until two nights before at Stoverstown Pa at a fair. Dan Jones left the next day and Joe did what all good Blue Grass Boys do and did what was needed. This was at the Phily Folk Festival.. Tex, Kenny and Byron(Who was playing with the Burrito Brothers that weekend) sat in with us, played 3 fiddles and I got a dose of Blue Grass guitar from Joe Stuart, this was a tremendous send off as it was my last day with the band August 1971. Also look at that "deer in the late night headlight look on my face" we all had to wear shoes that were not stage quality to the stage and put the stage shoes on, up on the steps....It had rained, rained and well say Grandpa Jones's It raining, raining, raining here this morning could have been written that morning....



Doug asked some questions...of which a portion of which I will post a portion here. At least this will get me started putting some of the things in my head on paper.

January 20, 2011

Howdy y'all,

A positive note to counteract the midwinter blahs........ Sixty years ago today (January 20, 1951), Bill Monroe cut his classic barnburner "RAW HIDE" in Nashville - - plus a couple other gems which I've been too lazy to look up. For some reason the Raw Hide session date has always stuck in my mind (probably because the "Bluegrass Instrumentals" Decca LP with Ralph Rinzler's liner notes, including discographical data, was out by the end of 1965 and I pointed out in the printed program for our McGill U. Bill Monroe concert on Thursday, Jan. 27, 1966 - - Richartd Greene's début, btw, as a Blue Grass Boy - - that the date of that show marked 15-years-and-one-week since that tune was cut). Which begs the question, is there a question about Max Terhune in the bluegraass trivia game? (Max was Bill's friend who had a part in the movie "Rawhide") - - or, more to the point, is Raw Hide banjoist Rudy Lyle still with us (I have a feeling Doug Hutchens will know the answer to that one).......


>>>Unfortunately we lost Rudy Lyle on February 11, 1985. I had just finished an article about him for Blue Grass Unlimited and he had corrected a few things. He was getting back into playing some after many years on inactivity on the banjo.

I remember during the times Rudy and I talked, him mentioning Max Terhune. For a while he traveled with Bill as part of the "Show". Max and his doll Elmer, he was a ventriliquist.

I've been doing some research (Searching the Prarie Farmer and Articles about the Chicago Worlds Fair in hopes of finding a photograph of the dancers) about Bill, Charlie, Birch and I think it was Larry Moore who were the dance troupe that worked together in the early days in Chicago and if I remember correctly, Max had been a part of the WLS show about that time. The friendship might have started there.


Doug Benson>>>>>good information on Rudy and Max - - much appreciated! I seem to recall your article on Rudy......I believe you mentioned he was involved in manufacturing some kind of light aircraft (or maybe gliders or some such)? I wish I had become acquainted with Rudy the way you did (what a gift). When Rudy played onstage at "Roanoke 1965", for some reason Carlton Haney had to reach over Rudy's banjo neck from behind and fret the fifth string (does the short string need a special capo or what is that all about?)........Seems to me I took a photo that captured that moment (a photo buried somewhere in my archives).....Come to think of it, it was probably one of Petronko's photos (at the time he gave me prints of most of his Fincastle shots).

Ya, whey you capo a banjo down say 2 frets the 5th string needs to be capoed two as well. Possibly he was using Don Reno's banjo that didn't have a way to capo the 5th string. Most people used small nail like metal pieces to do it. I'l love to see a photo of that.
The Rudy Lyle article was in April of 85. Pete had it slated for July, but when he passed away suddenly it was rolled forward and I did an obit with the article.

He was always interested in airplanes. Even when he was working for Bill. "I 've always been liked airplanes Back when I was living down on Boscobel Street, me and Randy Hughes, who was with Cowboy Copas whey they had their accident, learned to fly together. We would go over to Comelia Fort Air Park there in Nashville and go flying."

He bought plane and totally rebuilt it and enjoyed flying.

A couple of years before Pete had asked me to do some writing for BU. He didn't know if I could write or not, but I guess he figured I would do the digging. But I asked who would he want storys about he said "We've had more request for a story on Edd Mayfield more than anyone else and the next one will be Rudy Lyle." It took about 3 years of digging and the Edd Mayfield story finally appeared then I started on Rudy.
I first called him and ask him about it and he went thru this thing "nobody even knows who I am any more....". We talked a while and he asked where I was from and I said Stuart Virginia and that melted the ice since he was from Rocky Mount Va about 50 miles or so away...He invited me down and I made arrangements to go visit him.

I need to put alot of this stuff down, as I am told frequently and reminded all to often by events like Don Lineberger's fire where he died and literally thousands of photos, tapes and great stories went back to where they came.....the air.

There are several of us that need to do some digging and makes sure our "archives" are safe from fire, flood and those who will take care of our things after we are gone that have no idea of what we have.

Sunday, April 11, 2010

April 11th

Today is April 11, 2010.

It has been a while since I have posted anything. Loosing my Father two years and one month ago tomorrow hurt....Then a month later loosing one of the greatest musical friends I ever had Arthur Johnson from Cumberland Kentucky made me wonder if anyone that I loved would get out of 2009 alive.

Today April 11 is my fathers birthday. He was born in 1926.

In thinking back to some others April 11th's. In 1970 Howard Fackler and I were at Berea College. We left friday morning the 10th after the roll had been taken at Hardin Reynolds Memorial School and drove all day to get there. About 5 that afternoon I got to the College and called Bentrus Smith my cousin and he started to tell us how to get to the dorm. I had driven farther than I had ever driven in my life and I said "Just come get us, I'm tired of driving". It was only a few hundred yards away, but at that point seemed many many miles. I took placement test later on the 11th. After the test we walked down toward the Rail Road Tracks to Hayes's Furniture Store and heard some guys playing music it was Old Joe Clark and the Baker Brothers. Years later I found it was Linda Hayes's Birthday that day and it was her dad's furniture store. This was the first days in Berea and I had no idea at this point of the wonderous times and experiences that College and Kentucky would bring me over the next 18 years.

April 11, 1970 Apollo 13 was happening about this time too. We saw the splash down when we got back to Hardin Reynolds the next week. Many years later I had the wonderful opportunty to have breakfast with Jim Lovell, the commander.


April 9th, 10th, 1971 found me at Berea College as a Freshman. This was the weekend of the "Mountain Folk Festival". I met someone who was to become very special to me in years to come. Things have never really worked the way they could have, but that's the way things happen. But life isn't over yet either.

There are many more April 11ths that are special but:
Today, April 11th 2010 my nephew left for a 4 year term with the US Marines. Only 1,461 Days -- or -- 208 Weeks and 5 Days until he is back with us.

Only 1461 days until he returns. I know Gage will enjoy the adventures he will experience and see great wonders of the world. It is my hope that he returns to us safely in due time.

I'll offer a simple prayer that came to me many many years ago. "I ask the lord to allow me guidance and understanding and help and guide us all to do what is right and what is best for those around us."
I wish that for you this evening Gage.

I'll close for now, but will try to keep better touch with my blog as it allows me to get some things out that should be committed to paper or at least space where ever it may take that space as.

Doug Hutchens
7:38 April 11, 2010

Wednesday, September 9, 2009

The last trip Home



The Last Trip Home






Doug Hutchens - dmhutchens@aol.com
In June of 1971, I was laying awake in a bunk on a hot June night at Bean Blossom. The bus belonged to Ralph Lewis. It was loaned to Bill while a new air conditioner was being installed on the "Blue Grass Special." This night was a good time for thinking; everyone was gone, it was quiet and still. I had spent the day working with Joe Stuart, Jack Hicks, and "The Chief." We had been working on a new fence along the road at the park. Kenny Baker would have been a part of this troupe, but he had cut his leg with a chain saw two weeks before and could play the shows, but the doctor didn't want him to overdo it. I was thinking of the "Brown County Jamboree Barn," which we were parked beside, all the entertainers who had performed there over the years and the many Blue Grass Boys who had performed on the stage. Then, for the first time, a thought crossed my mind: "What will we do some day, when nature takes its course?" Little did I know, that 25 years later I would follow "The Chief" on his final trip home.










A friend, Tony Testerman, called me at 5:42 on Monday afternoon and asked if I had heard. That was all that he had to say, for I knew what he meant. He had just heard it on the Kingsport TV station. I immediately called Tony Conway at Buddy Lee Attractions, Tony had taken care of Bill's booking and his business arrangements for many years. I found that he had passed about 1:20 and the arrangements were in the process of being made. That evening the CBS Evening News paid a timely and appropriate tribute and made many who hadn't heard the news aware of his passing.










On Tuesday evening, I left home about 8 p.m. and started to Nashville. WSM was playing Bill's music as a tribute. In fact, from the time the news was received until after the services in Nashville, all the music on WSM was by Bill and the Blue Grass Boys, a total of 22 hours with Eddie Stubbs pulling 15 of those hours. Tonight Eddie was doing a wonderful job, using just the right words to compliment the music. Frequent emotional pauses in his voice reminded me of the difficulty of his job this evening. This night, Eddie sounded much like the late Grant Turner, as I recalled the thousands of hours that I had driven late at night and those early mornings, listening to "Mr. Grant." He always sounded like he was right there in the car with you. Tonight Eddie was riding with me. As his shift ended, I was pulling into a motel in Knoxville. I waited in the car as the show closed with Bill's last performance from March 15 on the Friday Night Opry. In Bill's playful voice, he asked the crowd if he "could come back and play for them again sometime soon." Then the theme, "Watermelon Hanging On the Vine."










On Wednesday morning, as I continued to Nashville, listening to WSM's Richard Thomas who does the 'Flight 650' traffic report, he gave regular and reverent references of the progress of the funeral procession from Madison to the Ryman Auditorium. Traffic seemed especially heavy this morning. When I turned the corner to the Ryman, a flood of memories came at me. . . . The first time I went up those stone steps, through the iron gates, and backstage with Bill. Then a mental picture of Stringbean, Grandpa, and Roy swapping stories with Bill backstage. Being sent out to the bus to get Bill's stage shoes shined by the old gentleman who took care of them. Nights leaving the Ryman after working the Opry and meeting back at the bus on Dickerson Road at midnight to travel through the night for tomorrow's date. . . .










I parked and walked down to the Ryman and into a side door. There I was met by James and Tony Conway, and, in front of the stage where he so often stood tall and proud, today he rested. His glasses and hat were close by and a row of quarters that he so loved to give little kids were within easy reach. I then realized that I should go and join the others at the new entrance. As I turned to leave, Tony Conway stopped me and James said "Daddy would want you down here with us today."










From a few minutes after 8 a.m. until 11, the line was constant; many familiar faces from around the country and for each who made the journey, you knew that there were countless others who were there in spirit. Many of the Opry family came by: Grandpa and Ramona Jones, Porter Wagoner, Bill Carlisle, Bill Anderson, Jim Ed Brown, Little Jimmy Dickens, Jan Howard, Earl and Louise Scruggs, Jimmy Martin, Jim and Jesse McReynolds, and the list went on and on.










Just prior to the beginning of the services, Pete Kuykendall turned to Bryon Berline and myself and pointed to a draped instrument stand that was surrounded by the multitude of flowers. We had an idea of what would be placed there. It was both a disappointment and a relief when the pallbearers placed the mandolin that was presented to Bill commemorating his 50th anniversary with the Opry on the stand. Tony Conway then placed a red rose on the shroud that held the instrument. It was a major letdown that it was not the "old mandolin" that had been Bill's constant companion for over 50 years and a relief, in that it would have been very difficult for some of us, seeing the instrument so close and knowing that they were never to work together again. Many of us experienced this through a veil of fresh tears.










The services were wonderful. Bill would have been pleased.










As the bagpipes played and Bill left the Ryman for the last time, we followed. TV, radio, and newspaper reporters shot video, took photos and asked questions. As the procession departed, friends and fans spoke softly and visited.










Today, I felt a need to be the last person to leave, after talking to many, many friends and a lengthy conversation with Mary Yeomans and Eddie Stubbs, an hour and a half after the end of the service, it was time for me to go as well. The Ryman stood silent and alone once again.










On Thursday morning at 9:17, the final trip to Ohio County began. A small procession left the Madison Funeral Home. Across Gallatin Road on Old Hickory Boulevard, past the turn to Earl's, just a mile or so prior to Dickerson Road (where Bill had once lived, owned some property from time to time, and maintained an office), we turned north on Interstate 65. Two Tennessee Highway Patrolmen handled traffic control within the city and acted as an Honor Guard to Rosine.










As the procession passed Long Hollow Pike, "the farm" came to mind. It was the place, as he would describe it, "way out in the country at the end of a dead end road," where he could turn his dogs loose and listen to them run. Bill called it home. There were fence posts that Edd Mayfield had planted in the 50's, repairs to the barn and work on the cabin done by former Blue Grass Boys, where Bill took care of his animals and tended his crops, where he sat in the old porch swing and enjoyed the sunrises and sunsets. This was his home, second only to the highways.










At 9:50 on September 12, 1996, Bill Monroe returned to Kentucky. James, later in the day at the church, commented, "Daddy traveled the world and received many honors, but I think he was more proud of being called a Kentuckian than anything."










As the procession turned west on the William Natcher Parkway, even though it was a four-lane highway, many cars pulled to the side of the road showing respect. After turning off at the Hartford exit, my vision was again blurred with tears as the procession was now joined by two Kentucky State Patrolmen as an additional honor guard. This was a two-lane road and now each car we met stopped. At a school, several stood around the flagpole with the flag at half staff, others stood in thier front yards awaiting the passing.










When the sign Rosine came into view, the road was lined with people. The procession turned right into the community park and behind the church -- the "little community churchyard" that he had sung about all through the years. I couldn't help thinking of how much today I felt like I did 25 years ago, when I first rode the bus into my first festival as a Blue Grass Boy, only this was the saddest trip I had ever taken.










After we parked, I again was reminded of some of the early festivals like Ashland and Jackson, Kentucky, where the schedule was created after Bill got on the grounds. As the pallbearers made their way up the steps into the church, one lone dog in the distance barked in the saddened silence of this morning. Soon the rumble of thunder could be heard in the distance and, after a few minutes of a heavy mist, the heavens too gained thier composure, leaving an overcast sky to protect the large crowd that would hear the services on the speakers that had been set outside.










For the next 3 hours, friends and fans filed into the church, in front of the Master and out a back door. At one time the line reached to Highway 62, about a quarter mile away. Of those who attended, twelve hundred signed the guest register, there were two very full lines, many in the second line didn't take the time to sign.


Behind the church chairs.







James told David Deese, Wayne Lewis and myself, "I need you fellows to help us with some music, maybe 'Precious Memories' and 'Amazing Grace' and some numbers like that." The Ryman services had been pre-planned but this funeral was to be done just as Bill had played his shows for years and years, with no set list.










After some local speakers, Ms Alma Randolph sang, then Ralph Stanley and Ricky Skaggs sang, then the Blue Grass Boys sang for Bill. Wayne Lewis took the reigns and David Deese, Dan Jones and myself kept a steady flow of former Blue Grass Boy lead singers and friends to speak. I had spoken to Bobby Osborne earlier and he mentioned that he and Sonny and Jim & Jesse had shared a dressing room with Bill at the Opry for the past 15 years. The first time I asked if he would like to say anything, he said he did not think he could get through it. A second request, and gentle urging that he would be glad that he did, was graciously honored. His words summed it up for many of us who were there when he said he was "so glad that the had lived in the time of Bill Monroe."








Skeeter Davis spoke of when she was 17 and went to Nashville, and Buck White and Sister Margie Sullivan offered kind words. Soon Reverend Baggett began his part of the service. It was a funeral that any man who had ever lived in the country would have been proud of.








It was getting late in the day and, as the service was over, Wayne Lewis and Sandy Rothman placed a flat pick in Bill's right hand, and then the last part of the journey was underway. There were so many flowers, they were all around, including two double rows of wreaths forming a 100- foot walkway from the road to the gravesite. "My Old Kentucky Home" was sung. Ralph Stanley repaid the favor of 30 years ago, when Bill sang "Swing Low, Sweet Chariot" at his brother Carter's funeral. Ricky started "Blue Moon of Kentucky" and everyone joined in as best they could.








As I raised my head and opened my eyes from the final prayer, I felt different. The sky looked bluer, the grass and the trees looked greener, and the wind had picked up. Fitting, I guess, as he was now at home, at rest in the place where so often had talked and sung about.








As the Blue Grass Boys gathered, and others spoke softly, a last shovel of sod was placed on a new grave at 4:17. The Man, who was born Wednesday September 13, 1911, and traveled from Rosine, Kentucky, around the world, leaving the gift of Blue Grass Music, today had come full circle and returned to the earth on Thursday, September 12, 1996.